<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[sophierosza]]></title><description><![CDATA[sophierosza]]></description><link>https://sophiepontillo.wixsite.com/sophierosza/home</link><generator>RSS for Node</generator><lastBuildDate>Thu, 05 Nov 2026 14:58:29 GMT</lastBuildDate><atom:link href="https://sophiepontillo.wixsite.com/sophierosza/blog-feed.xml" rel="self" type="application/rss+xml"/><item><title><![CDATA['Aftersun' (2022) Film Review]]></title><description><![CDATA[After sun. The cooling, calming, silky smooth ointment that soothes the skin after a long, tiresome day in the sun. Sold by the barrel to...]]></description><link>https://sophiepontillo.wixsite.com/sophierosza/post/aftersun-2022-film-review</link><guid isPermaLink="false">63dd858c9158b23e0859f8db</guid><pubDate>Fri, 03 Feb 2023 22:07:14 GMT</pubDate><dc:creator>sophierosza</dc:creator></item><item><title><![CDATA['Luckiest Girl Alive' (2022) Film Review]]></title><description><![CDATA[Mila Kunis leads Netflix’s fantastic ‘Luckiest Girl Alive’ with the poise and the right amount of mistrust needed for such a tempting and...]]></description><link>https://sophiepontillo.wixsite.com/sophierosza/post/luckiest-girl-alive-2022</link><guid isPermaLink="false">63c186611a3578e8f364a1e5</guid><pubDate>Fri, 13 Jan 2023 16:36:11 GMT</pubDate><dc:creator>sophierosza</dc:creator></item><item><title><![CDATA[‘The French Dispatch’ (2022) Film Review ]]></title><description><![CDATA[(March 2022) A review for The French Dispatch for Little White Lies. ‘The French Dispatch’ HOW TO: MAKE A SHOT LIKE WES ANDERSON 1.   ...]]></description><link>https://sophiepontillo.wixsite.com/sophierosza/post/the-french-dispatch-2022-film-review</link><guid isPermaLink="false">6231da20e11abef0718e5ecd</guid><pubDate>Wed, 16 Mar 2022 12:38:05 GMT</pubDate><dc:creator>sophierosza</dc:creator></item><item><title><![CDATA['Bratz: Rock Angelz' (2005) Film Review]]></title><description><![CDATA[(March 2022) A review of Bratz: Rock Angelz, for STUDIO magazine. Redemption for Bratz: Rock Angelz How Dolls with a Passion for Fashion...]]></description><link>https://sophiepontillo.wixsite.com/sophierosza/post/bratz-rock-angelz-film-review</link><guid isPermaLink="false">6231d9453d5294da9583ea1d</guid><category><![CDATA[Film Studies BA]]></category><pubDate>Wed, 16 Mar 2022 12:34:30 GMT</pubDate><dc:creator>sophierosza</dc:creator></item><item><title><![CDATA[Joker (2019) Film Review]]></title><description><![CDATA[(March 2022) A review of Joker for CINEASTE magazine. Joker Political Apathy Gone Mad. Upon revisiting Joker (2019), after its success...]]></description><link>https://sophiepontillo.wixsite.com/sophierosza/post/joker-2019-film-review</link><guid isPermaLink="false">6231d8986a87b7173fcd0227</guid><category><![CDATA[Film Studies BA]]></category><pubDate>Wed, 16 Mar 2022 12:32:48 GMT</pubDate><dc:creator>sophierosza</dc:creator></item><item><title><![CDATA[The Batman (2022) Film Review]]></title><description><![CDATA[(March 2022) A review for The Batman in the style for Empire magazine – (or mainstream, fan service publications) Riddle me this, What...]]></description><link>https://sophiepontillo.wixsite.com/sophierosza/post/the-batman-2022-film-review</link><guid isPermaLink="false">6231d7d53d5294da9583e97f</guid><category><![CDATA[Film Studies BA]]></category><pubDate>Wed, 16 Mar 2022 12:28:55 GMT</pubDate><dc:creator>sophierosza</dc:creator></item><item><title><![CDATA[The ‘Badfilm’ and Camp Redemption of ‘Star Wars: Revenge of The Sith’ (2005)]]></title><description><![CDATA[(March 2022) As defined by Susan Sontag, ‘camp’ may be a ‘mixture of the exaggerated, the fantastic, the passionate and the naïve’. It is...]]></description><link>https://sophiepontillo.wixsite.com/sophierosza/post/the-badfilm-and-camp-redemption-of-star-wars-revenge-of-the-sith</link><guid isPermaLink="false">6227d1b9fb75fd35142a1267</guid><category><![CDATA[Film Studies BA]]></category><pubDate>Tue, 08 Mar 2022 22:00:00 GMT</pubDate><dc:creator>sophierosza</dc:creator></item><item><title><![CDATA[Sophie Pontillo Graduate CV]]></title><description><![CDATA[(2022)]]></description><link>https://sophiepontillo.wixsite.com/sophierosza/post/sophie-pontillo-graduate-cv</link><guid isPermaLink="false">62110f9a876df6ee349bf9bc</guid><category><![CDATA[CV]]></category><pubDate>Sat, 19 Feb 2022 15:41:41 GMT</pubDate><dc:creator>sophierosza</dc:creator></item><item><title><![CDATA['HAPPY FACE SAD FACE' Documentary]]></title><description><![CDATA[A documentary created during my Diploma, investigating my personal mental health struggles throughout my life.]]></description><link>https://sophiepontillo.wixsite.com/sophierosza/post/happy-face-sad-face-documentary</link><guid isPermaLink="false">6210fc25adbd1b091a46ea37</guid><category><![CDATA[Creative Media Production HND]]></category><pubDate>Sat, 19 Feb 2022 14:36:57 GMT</pubDate><enclosure url="http://video.wixstatic.com/video/81d2fe_973e556f4472470d82b7fd6cfc1c0486/1080p/mp4/file.mp4" length="0" type="video"/><dc:creator>sophierosza</dc:creator></item><item><title><![CDATA[L.O.V.E Documentary]]></title><description><![CDATA[A short documentary investigating a love story. (June 2019)]]></description><link>https://sophiepontillo.wixsite.com/sophierosza/post/l-o-v-e-documentary</link><guid isPermaLink="false">6210fa2fb0fbe12aff2a90ff</guid><category><![CDATA[Creative Media Production HND]]></category><pubDate>Sat, 19 Feb 2022 14:15:07 GMT</pubDate><enclosure url="http://video.wixstatic.com/video/81d2fe_a2a0c21e9d0f42dda7efe60772b7ba48/720p/mp4/file.mp4" length="0" type="video"/><dc:creator>sophierosza</dc:creator></item><item><title><![CDATA[Sophie Pontillo CV (2022)]]></title><link>https://sophiepontillo.wixsite.com/sophierosza/post/sophie-pontillo-cv-2022</link><guid isPermaLink="false">6210ecbb0f56762737512814</guid><category><![CDATA[CV]]></category><pubDate>Sat, 19 Feb 2022 13:12:32 GMT</pubDate><dc:creator>sophierosza</dc:creator></item><item><title><![CDATA[The Problem With The Auteur.]]></title><description><![CDATA[*A rant written in 20 minutes about an idea conceived over 3 years and 4 months of studying Film. (Feb 2022) An Introductory Questioning...]]></description><link>https://sophiepontillo.wixsite.com/sophierosza/post/the-problem-with-the-auteur</link><guid isPermaLink="false">6210ea18ae77e02e2fb0d157</guid><category><![CDATA[Film and Cinema]]></category><pubDate>Sat, 19 Feb 2022 13:02:03 GMT</pubDate><dc:creator>sophierosza</dc:creator></item><item><title><![CDATA[An Application of Film Theory to ‘Burlesque’ (2010)]]></title><description><![CDATA[(December 2018) At first glance, Christina Aguilera’s 2010 hit film ‘Burlesque’ is simply an entertaining and engrossing film and...]]></description><link>https://sophiepontillo.wixsite.com/sophierosza/post/an-application-of-film-theory-to-burlesque</link><guid isPermaLink="false">62002217189d4e853d763855</guid><category><![CDATA[Creative Media Production HND]]></category><pubDate>Sun, 06 Feb 2022 19:32:15 GMT</pubDate><dc:creator>sophierosza</dc:creator></item><item><title><![CDATA[The Joker (2019): A Critical Look into The Film that Divided Audiences.]]></title><description><![CDATA[(June 2020) Prologue: Film Criticism The concept of film criticism is riddled with irony. Some call the art elitist and unnecessary, some...]]></description><link>https://sophiepontillo.wixsite.com/sophierosza/post/the-joker-a-critical-look-into-the-film-that-divided-audiences</link><guid isPermaLink="false">62001c9bd62f71e64c89995a</guid><category><![CDATA[Creative Media Production HND]]></category><pubDate>Sun, 06 Feb 2022 19:09:58 GMT</pubDate><dc:creator>sophierosza</dc:creator></item><item><title><![CDATA[The Ethical Concerns (and Encouragements) of The Use of Sex Robots]]></title><description><![CDATA[The Bible says Adam and Eve, not Adam and EVE! (December 2021) Introduction Sex robots, or ‘sexbots’, are ‘anatomically correct...]]></description><link>https://sophiepontillo.wixsite.com/sophierosza/post/the-ethical-concerns-and-encouragements-of-the-use-of-sex-robots</link><guid isPermaLink="false">62001a0bc38eb63a306d963a</guid><category><![CDATA[Media and Culture BA]]></category><pubDate>Sun, 06 Feb 2022 18:57:44 GMT</pubDate><dc:creator>sophierosza</dc:creator></item><item><title><![CDATA[Exploring Representations of ‘Blackness’ in ‘The Fresh Prince of Bel Air’. ]]></title><description><![CDATA[(December 2020) Introduction This presentation looks into the context of 1990’s American ideals of ‘blackness’ and explores how ‘The...]]></description><link>https://sophiepontillo.wixsite.com/sophierosza/post/exploring-representations-of-blackness-in-the-fresh-prince-of-bel-air</link><guid isPermaLink="false">62001944493b8a0a3ccfd141</guid><category><![CDATA[Media and Culture BA]]></category><pubDate>Sun, 06 Feb 2022 18:56:15 GMT</pubDate><dc:creator>sophierosza</dc:creator></item><item><title><![CDATA[The Ideological Implications of Influencer #SponsoredPosts on Instagram:]]></title><description><![CDATA[Critical Theory and Social Media. (May 2021) As social media dominates the era as a supposedly necessary mode of communication for the...]]></description><link>https://sophiepontillo.wixsite.com/sophierosza/post/the-ideological-implications-of-influencer-sponsoredposts-on-instagram</link><guid isPermaLink="false">62001911a3b4f24df6e7918b</guid><category><![CDATA[Media and Culture BA]]></category><pubDate>Sun, 06 Feb 2022 18:53:23 GMT</pubDate><dc:creator>sophierosza</dc:creator></item><item><title><![CDATA[Comparing Representations of Black Mothers In 1990’s American TV:]]></title><description><![CDATA[‘The Fresh Prince of Bel Air’ vs ‘Sister, Sister’ (December 2020) Whilst investigating authentic black masculinity in case study one,...]]></description><link>https://sophiepontillo.wixsite.com/sophierosza/post/comparing-representations-of-black-mothers-in-1990-s-american-tv</link><guid isPermaLink="false">620018d5791a800d21c7a00b</guid><category><![CDATA[Media and Culture BA]]></category><pubDate>Sun, 06 Feb 2022 18:52:34 GMT</pubDate><dc:creator>sophierosza</dc:creator></item><item><title><![CDATA[“Fashion and Sustainability are […] separate and antagonistic concepts”.]]></title><description><![CDATA[Discuss, making reference to consumer behaviour and/or media representations of the fashion industry. (January 2022) Introduction The...]]></description><link>https://sophiepontillo.wixsite.com/sophierosza/post/fashion-and-sustainability-are-separate-and-antagonistic-concepts</link><guid isPermaLink="false">62001893493b8a0a3ccfd0b3</guid><category><![CDATA[Media and Culture BA]]></category><pubDate>Sun, 06 Feb 2022 18:51:20 GMT</pubDate><dc:creator>sophierosza</dc:creator></item><item><title><![CDATA[White Chicks (2004) Film Review]]></title><description><![CDATA[(February 2022) ‘You can’t say White Chicks is a classic! …. But there’s nobody around…?!’ If this were a biased review, it would be easy...]]></description><link>https://sophiepontillo.wixsite.com/sophierosza/post/white-chicks-2004</link><guid isPermaLink="false">62001854dc070b14c20566dd</guid><category><![CDATA[Film Studies BA]]></category><pubDate>Sun, 06 Feb 2022 18:50:05 GMT</pubDate><dc:creator>sophierosza</dc:creator></item></channel></rss>