(March 2022) A review of Bratz: Rock Angelz, for STUDIO magazine. Redemption for Bratz: Rock Angelz How Dolls with a Passion for Fashion...

(March 2022) A review of Joker for CINEASTE magazine. Joker Political Apathy Gone Mad. Upon revisiting Joker (2019), after its success...

(March 2022) A review for The Batman in the style for Empire magazine – (or mainstream, fan service publications) Riddle me this, What...

(March 2022) As defined by Susan Sontag, ‘camp’ may be a ‘mixture of the exaggerated, the fantastic, the passionate and the naïve’. It is...

(February 2022) ‘You can’t say White Chicks is a classic! …. But there’s nobody around…?!’ If this were a biased review, it would be easy...

(February 2022) ‘We just love to fight!”- The mantra for many a great Englishman. The Firm is a love letter to football fandoms and a...

Overcoming The Labours of Toxic Masculinity. Comparing 'Scott Pilgrim Vs. the World' (2010) to the Myth of Hercules. (January 2022)...

Applying Feminist Film Theory & Psychoanalysis Film Theory to 'Ex Machine' (2014) (December 2020)

(February 2021) Queer theory offers a hypercritical perspective to notions of normality (or ‘heteronormative’) values in culture. It...

How Get Out (2017) Unbinds and Pokes the Racial Wounds of Post-Racial America. (May 2021) Slavery and the exploitation of Black bodies...

(December 2021) Classification and Motifs: ‘The Maiden in the Tower’, is found under type-310 as per Aarne-Thompson-Uther index. It is...